Lhote, André

André Lhote was born in Bordeaux and began learning woodcarving and sculpture from the age of 12, when his father apprenticed him to a local furniture maker to be trained as a sculptor in wood. He enrolled at the Ecole des Beaux-Arts in Bordeaux in 1898, and studied decorative sculpture until 1904. Whilst there, he began to paint in his spare time and he left home in 1905, moving into his own studio to devote himself to painting. He was influenced by Gauguin and Cézanne and held his first one-man exhibition at the Galerie Druet in 1910, four years after he had moved to Paris.

After initially working un a Fauvist style, Lhote shifted towards Cubism and joined the Section d’Or group in 1912, exhibiting at the Salon de la Section d’Or. He was alongside some of the fathers of modern art, including Gleizes, Villon, Duchamp, Metzinger, Picabia and La Fresnaye.

The outbreak of the FirstWorld War interrupted his work and, after discharge from the army in 1917, he became one of the group of Cubists supported by Léonce Rosenberg. In 1918, he co-founded Nouvelle Revue Fraçaise, the art journal to which he contributed articles on art theory until 1940. Lhote taught at the Académie Notre-Dame des Champs from 1918 to 1920, and later taught at other Parisian art school – including the Académie de la Grande Chaumiére and his own school, which he founded in Montparnasse in 1922.

Lhote lectured extensive in France and other countries, including Belgium, England, Italy and, from the 1950s, also in Egypt and Brazil. His work was rewarded with theGrand Prix National de Peinture for 1955, and the UNESCO commission for sculpture appointed Lhote president of the International Association of Painters, Engravers and Sculptors.