Untitled (Dog Show) - Avery, March

Fine Art

Avery, March

1932 – Active in NY and France

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Untitled (Dog Show)

1992

Watercolor and gouache on board
9 ¼ x 14 inches (23.5 x 35 cm)
Framed: 22 x 25 inches (56 x 63.5 cm)
Signed and dated lower left: March Avery 92

Provenance

The Artist, early 1990s
Hoorn Ashby Gallery, Nantucket
Private Collection, MA

Literature

March Avery, daughter of the famous modernists Milton and Sally Avery, has made a lasting impact on contemporary American art with her distinctive style that blends figurative elements with bold, vibrant abstraction. March Avery’s work is characterized by a mastery of color, subtle use of form, and a focus on everyday subject matter. Despite her close association with her father’s legacy, she has carved out her own artistic identity, exploring themes of domesticity, nature, and human interaction with a sensitivity that sets her apart from her contemporaries.

March Avery attended the prestigious Art Students League in New York, where she honed her technical skills and began to explore her voice as an artist. In the mid-20th century, New York was the epicenter of the burgeoning Abstract Expressionist movement, but March Avery pursued a more figurative and personal style, remaining distinct from the non-representational trend that dominated the art world at the time. March’s work is firmly rooted in the figurative tradition, though she pares down her subjects to their essential elements. She portrays scenes from everyday life—people reading, children playing, still lifes of flowers and interiors, and landscapes—imbuing them with a quiet yet resonant beauty. Her treatment of these scenes is not overly detailed, but rather focused on the relationship between color, form, and the emotional undercurrents that exist within these moments.

Color plays a central role in Avery’s work, and her palette is one of her most defining features. Bold yet harmonious, her colors often communicate the emotional atmosphere of a scene, rather than its literal appearance. She favors broad, flat planes of color, which creates a sense of both calm and vibrancy in her compositions. This style evokes a sense of timelessness, as the scenes appear simplified and serene, yet filled with emotional resonance.

Her figures, often depicted in repose or engaged in quiet activities, are rendered in a similarly reductive manner, yet they express a range of emotions. While their faces may lack explicit detail, the relationship between the figures and their environment communicates a mood of contemplation, intimacy, or solitude. This balance of simplicity and emotional depth is what distinguishes Avery’s figurative work from both her father’s and her peers. Another key theme in her work is her connection to nature, particularly the American landscape.

Her career spans more than six decades, and her body of work continues to inspire a new generation of artists who appreciate the subtle power of color and form. She has exhibited widely, both in the United States and abroad, and her paintings are held in numerous public and private collections. Her work captures the subtle poetry of everyday moments, elevating them through bold use of color and a refined sensitivity to form. As a result, she has established herself as a significant figure in the landscape of contemporary American art, contributing a deeply personal and emotionally resonant vision.

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