Paris, Champs de Mars - Schuffenecker, Claude-Émile

Fine Art

Schuffenecker, Claude-Émile

French, 
1851-1934

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Paris, Champs de Mars

1905

Pencil on paper
5 1/2 x 4 1/4 inches (14.9 x 11.1 cm)
Framed: 12 x 10 inches (30.5 x 25.4 cm)
Signed and dated lower right: Paris 1905 ES

Provenance

Sotheby’s, New York, September 29, 2007
Private collection, USA

This painting is sold with a certificate of authenticity from Jill-Elyse Grossvogel.

Literature

Claude-Émile Schuffenecker was born in 1851 in Frèsne Saint-Mamès. His father died when he was only two years old and the same year his brother Amédée was born. Their mother moved with the young brothers to Meudon to be close to her family. Schuffenecker later lived with his aunt and uncle in Paris and studied at the Frères des Ecoles Chrétiennes. He worked at his uncle’s chocolate and coffee-roasting business in Les Halles as well.

Schuffenecker studied with Paul Baudry in Paris in 1870. He then studied the Académie Suisse in 1872 and the Académie Colarossi in 1883, as did his good friend Paul Gauguin. Schuffenecker and Gauguin worked together as brokers at Bertin stock brokerage firm and both left Bertin in 1880 to pursue their artistic careers. They remained good friends throughout their lives, as evidenced by their extensive correspondence.

In 1880, Schuffenecker married his cousin, Louise Lancon and together they had a daughter and a son. In 1882, Schuffenecker applied for studying teaching art and two years later he was teaching drawing at Lycée Michelet in Vanves. He co-founded the Société des Artistes Indépendants in 1884 along with Albert Dubois-Pillet and Odilon Redon, and participated in the eighth and final Impressionist exhibition in 1886.

Schuffenekcer’s work began to sell after Theo Van Gogh curated an exhibition with him, Gaugin and Zandomeneghi at Boussod & Valadon gallery in Paris. Schuffenecker curated an exhibition in the following year at the Café Volpini by the Groupe Impressioniste et Synthésiste, which included works by Gaugin, Bernard, Anquetin and others. In 1896, Schuffenecker had a solo exhibition at Librarie de l’Art Indépendant in Paris, which included seventeen paintings, twenty-one pastels and three drawings. He died in Paris in 1934 and was buried at the Montparnasse cemetery.

Schuffenecker here presents a charming drawing of Paris park. A tall tree towers over the park with its long, bare branches, adding depth and drama to the scene. A pedestrian strolls casually along the path, which is lined with benches and lampposts. In the center are children at play, brought to life by the artist’s quick and lively pencil strokes. Behind the tree branches the viewer glimpses the mighty Eiffel Tower, majestically towering over the park.

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