Acrylic on paper
24 x 19 inches (61 x 48.3 cm)
Framed: 32 x 27 inches (81 x 68.6 cm)
Titled, dated and stamped verso: ADOLPH AND ESTHER GOTTLIEB FOUNDATION, INC. Flying Lines, 1967 with number 6709 in ink above the Foundation stamp.
Adolph and Esther Gottlieb Foundation, New York
American Contemporary Art Gallery
Private Collection, Connecticut
Manny Silverman Gallery, Los Angeles
Leonard Hutton Galleries, New York
Simon Capstick Dale, New York
Helwaser Gallery, New York
Private Collection, Florida
2005 -2006 December 8-March 5 MAMAC, Nice (Galerie contemporaine du musée d’Art moderne et d’Art contemporaine) Ecole de New York-Expressionnisme abstrait américain-Oeuvres Sur Papier
Editions Nice Musees, MAMAC, Nice, Exhibition Catalogue, 2005, Ecole de New York -Expressionnisme abstrait américain-Oeuvres Sur Papier. Reproduced in color on the cover and in the catalogue, page 31.
Adolph Gottlieb, a prominent figure in the mid-20th century New York School of artists, was a trailblazing American painter known for his significant contributions to the development of abstract art, particularly within the Abstract Expressionist movement. His life and career are a testament to his commitment to pushing the boundaries of artistic expression.
Born in 1903, in New York City, Adolph Gottlieb’s early life was marked by a budding passion for art. He nurtured this interest by enrolling at the Art Students League in New York, where he had the privilege of studying under John Sloan, a renowned American modernist artist. These formative years laid the foundation for his artistic journey.
In the 1930s, Gottlieb emerged as one of the co-founders of a group of artists known as “The Ten.” This group was committed to promoting abstraction in American art, setting the stage for the radical artistic developments that were to follow. However, his early work was still tinged with the influence of Surrealism and European Modernism.
Gottlieb’s career took a significant turn in the late 1940s when he, alongside fellow artists Mark Rothko and Barnett Newman, began to develop a style that would later become known as Abstract Expressionism. This movement sought to express raw emotion and the human condition through abstract forms and bold use of color. This artistic breakthrough marked a transformative period in Gottlieb’s life.
One of the most notable aspects of Adolph Gottlieb’s work is his creation of two iconic series: “Pictographs” and “Burst.” The “Pictographs” are characterized by simple, iconic forms, often resembling symbols or hieroglyphs. These paintings are a visual exploration of archetypal symbols and have a primal, almost mystical quality to them. In contrast, the “Burst” series, created in the 1950s, is characterized by circular forms at the center of the canvas, often surrounded by other abstract shapes. These works exude a sense of energy and explosion, capturing the essence of the human experience.
The “Burst” series is particularly symbolic of Gottlieb’s ability to convey complex emotions through the interplay of simple shapes and vibrant colors. These paintings have an undeniable presence and continue to be celebrated for their visual impact and emotional resonance.
Throughout his career, Gottlieb continued to produce abstract art, holding numerous solo exhibitions and retrospectives. He was also a founding member of “The Club,” an organization of Abstract Expressionist artists who gathered to discuss art, exchange ideas, and foster creativity. His work, with its emotional depth and powerful use of color and form, has been exhibited in major museums and galleries worldwide.
Adolph Gottlieb’s legacy endures in the world of Abstract art. His pioneering contributions to the Abstract Expressionist movement, as exemplified by the “Burst” series, continue to influence contemporary artists and captivate art enthusiasts. His work stands as a testament to the power of abstract art to convey profound emotions and the complexities of the human experience. Adolph Gottlieb’s artistic journey remains an enduring chapter in the rich tapestry of American art history.
One year after Flying Lines was created, in 1968, he was the subject of a double retrospective held simultaneously at the Guggenheim and the Whitney Museum of American Art. The year that he died, in 1974, MoMA held a memorial exhibition of his work, and two years after his death, the Esther and Adolph Gottlieb Foundation was formed to preserve the artist’s legacy and provide financial support for contemporary artists.