Fine Art

Marc Chagall

Russian, Active in France, 1887-1985

Le boucher cacher

Gouache, aquarelle, black and colored crayon and pastel on paper
24 x 19 inches (61 x 48 cm)
Framed: 34 1/4 x 28 1/4 inches (87 x 72 cm)
Signed: Marc Chagall


Estate of the artist
Private collection, Europe

This painting is sold with a certificate of authenticity from the Comité Marc Chagall.

Marc Chagall was born July 7, 1887, in Vitebsk, Russia and was educated in art in Saint Petersburg and, from 1910, in Paris, where he remained until 1914. Between 1915 and 1917 he lived in Saint Petersburg. After the Russian Revolution he was director of the Art Academy in Vitebsk from 1918 to 1919 and was art director of the Moscow Jewish State Theater from 1919 to 1922. Chagall painted several murals in the theater lobby and executed the settings for numerous productions. Thereafter he returned to Paris. During World War II, Chagall fled to the United States. The Museum of Modern Art, New York, gave him a retrospective in 1946. He settled permanently in France in 1948.

Chagall is distinguished for his surrealistic inventiveness. He is recognized as one of the most significant painters and graphic artists of the 20th century. Chagall's personal and unique imagery is often suffused with exquisite poetic inspiration. His distinctive use of color and form is derived partly from Russian Expressionism and was influenced decisively by French Cubism. Crystallizing his style early, he later developed subtle variations.

Jewish themes play a prominent role in many of his works. The butcher, one of the central characters of life in the shetel, the Jewish quarter of a city, is a recurring theme in Chagall’s paintings. Since the mid-19th century, the shtetl had become synonymous with the cultural Jewish community, reflecting the rise of Yiddish literature. Chagall often incorporated the Shetel in his earlier works painted in Paris or his hometown of Vitebsk, featuring family members, including his grandfather who was a butcher. Our example clearly suggests memory of those years spent in his native Russia. Although Le boucher cacher is a late work, it is typical for the artist, full of life and poetry, rendering fantastic and picturesque details, faithfully illustrating the magical world of Chagall. His numerous works represent characteristically vivid recollections of Russian-Jewish village scenes, as in I and the Village (1911, Museum of Modern Art, New York City), and incidents in his private life, as in the print series Mein Leben (German for "My Life,"1922), in addition to treatments of Jewish subjects, of which The Praying Jew (1914, Art Institute of Chicago) is one.

Marc Chagall's works combine recollection with folklore and fantasy. Biblical themes characterize a series of etchings executed between 1925 and 1939, illustrating the Old Testament, and the 12 stained-glass windows in the Hadassah Hospital of the Hadassah-Hebrew University Medical Center in Jerusalem (1962). In 1973, Musée National Message Biblique Marc Chagall (National Museum of the Marc Chagall Biblical Message) was opened in Nice, France, to house hundreds of his biblical works. Chagall executed many prints illustrating literary classics. A canvas completed in 1964 covers the ceiling of the Opéra in Paris, and two large murals (1966) hang in the lobby of the Metropolitan Opera House in New York City. An exhibition of the artist's work from 1967 to 1977 was held at the Musée du Louvre, Paris, in 1977-78, and a major retrospective was held at the Philadelphia Museum of Art in 1985. Chagall died March 28, 1985, in Saint-Paul-de-Vence, France.

Our drawing, Le boucher cacher, depicts the reality of farm life in a surreal and intense composition. The subject of the work is a calf, portrayed in bright red paint, perhaps foreshadowing its fate. The brightly painted bearded and behatted butcher stands with a knife in his hand while a second man seems to be pushing the animal closer to him. Behind them a green and yellow donkey and a chicken watch the spectacle. In the background lie a cluster of brown buildings, and upon closer inspection one notices a woman lying with a child. Full of subtle details, Le boucher cacher is a fine example of Chagall’s exceptional use of color and form.