Private Collection, The Netherlands
A Certificate of Authenticity from the Comité Marc Chagall accompanies this piece.
Marc Chagall was born July 7, 1887, in Vitebsk, Russia and was educated in art in Saint Petersburg and, from 1910, in Paris, where he remained until 1914. Between 1915 and 1917 he lived in Saint Petersburg. After the Russian Revolution he was director of the Art Academy in Vitebsk from 1918 to 1919 and was art director of the Moscow Jewish State Theater from 1919 to 1922. Chagall painted several murals in the theater lobby and executed the settings for numerous productions. Thereafter he returned to Paris. During World War II, Chagall fled to the United States. The Museum of Modern Art, New York, gave him a retrospective in 1946. He settled permanently in France in 1948.
Chagall is distinguished for his surrealistic inventiveness. He is recognized as one of the most significant painters and graphic artists of the 20th century. Chagall's personal and unique imagery is often suffused with exquisite poetic inspiration. His distinctive use of color and form is derived partly from Russian Expressionism and was influenced decisively by French Cubism. Crystallizing his style early, he later developed subtle variations. His numerous works represent characteristically vivid recollections of Russian-Jewish village scenes, as in I and the Village (1911, Museum of Modern Art, New York City), and incidents in his private life, as in the print series Mein Leben (German for "My Life,"1922), in addition to treatments of Jewish subjects, of which The Praying Jew (1914, Art Institute of Chicago) is one.
Marc Chagall's works combine recollection with folklore and fantasy. Biblical themes characterize a series of etchings executed between 1925 and 1939, illustrating the Old Testament, and the 12 stained-glass windows in the Hadassah Hospital of the Hadassah-Hebrew University Medical Center in Jerusalem (1962). In 1973, Musée National Message Biblique Marc Chagall (National Museum of the Marc Chagall Biblical Message) was opened in Nice, France, to house hundreds of his biblical works. Chagall executed many prints illustrating literary classics. A canvas completed in 1964 covers the ceiling of the Opéra in Paris, and two large murals (1966) hang in the lobby of the Metropolitan Opera House in New York City. An exhibition of the artist's work from 1967 to 1977 was held at the Musée du Louvre, Paris, in 1977-78, and a major retrospective was held at the Philadelphia Museum of Art in 1985. Chagall died March 28, 1985, in Saint-Paul-de-Vence, France.
Le Traineau au village portrays Vitebsk, a village with a tight-knit Jewish community and the birth place of Marc Chagall. Elements which play an important role in the Jewish religion, trademark for the artist, are featured in this work. Chagall’s visual vocabulary depicts the amorous couple with a child, a dog resembling a donkey pulling the sled, playfulness and acrobatics in the snow with figures and animals. The artist was often thinking of his Russian heritage and Jewish ancestry. Since much of Vitebsk was destroyed during World War II, Chagall frequently reminisced about his childhood and he created this very special scene from memory.